I laid back in the clay and it enveloped
me. The oozing blue mud made its way under finger nails, behind ears,
in the sweaty folds of my balsac and somehow under my flaubert. It was
cool. It was liberating. Despite my baggy trunks, I felt naked in the
pool. Three caramel colored Brazilian girls, half-in and half-out of
the cerulean soup, were giggling between Portuguese whispers. A couple
shared a muddy kiss before pulling themselves out of the pool and
chasing their libidos back into bushes that were clustered at the foot
of the towering pink basalt cliffs.
Breading
a cutlet, I rolled by muddy body in the sand. The sparkling silica
scattered the brilliant sun, pretty jewels set in the powdery blue of
the drying mud. As this shell hardened, I was again reminded of his
plight. My joints could easily push through this stiffening, but I
embraced it. I laid down, finding a place just beyond the reach of the
surf. My body--hardening, drying--teased the waves; I wanted them to
wash me off but I was waiting.
Laying
on my side, looking to the north, I retraced the quarter mile I had
walked. The scalloped curve of the land straddled the crashing waves on
the one side and a sweltering salt marsh on the other. That expanse
was deserted but beyond, sheltered by the reef was a strand populated by
vendors and vacationers, punctuated by umbrellas festively fighting
with the midday sun. And there, still sitting under the cart's brightly
colored canopy was my companion, face obscured by the wide brim of his
hat staring forward, his sunken posture suggesting the defeat and
resignation of a character constructed by Tennessee Williams.
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